The annual showcase of graduating artists from the Central Academy of Fine Arts (CAFA) offers a glimpse into the future of contemporary art. From vibrant paintings to immersive installations, this exhibition celebrates the diversity of artistic voices. Reporter Li Qiong takes us to the exhibition hall featuring traditional Chinese paintings.

Instead of traditional ink-wash paintings, a fusion of different artistic schools from around the world can be seen, signifying young artists' earnest efforts to seek breakthroughs within tradition. Visitors are impressed by the avant-garde ideas of these university students.

Flower-and-Bird Painting major Wei Xuanlan's graduation project depicts a landscape in southern China from a microscopic perspective, mimicking that of an insect. 

"Although it is a flower-and-bird painting, I have adopted an approach that creates the scene of a landscape. For example, the lizard and the small stream could easily be replaced with a human being, a distant mountain and a waterfall. The transformation between humans and small animals is a theme that I am particularly interested in," Wei shared.

Wei believes that for art students, finding their own areas of interest is particularly important. He observed, "My recent series of works and reflections are primarily built upon the lineage of traditional Chinese grass-and-insect painting, spanning from the Song Dynasty to the Ming and Qing dynasties… I aim to revive and explore this tradition in a more scientific and modern way."

For many young artists at CAFA, a mere four years of college education is not long enough to provide a definitive path towards their artistic calling. Forming one's distinct personal style is something that can be encountered but not sought after. While many students attempt to find answers by combining Eastern and Western elements, some direct their innovative gaze towards the ancient art of China. 

Freehand Figure Painting major Tian Shengrong introduced her graduation project, saying: "This painting aims to depict the fusion and coexistence of traditional culture and modern life. I drew inspiration from Tang Dynasty figurines… The yellow and green hues resemble the color clashes of Tang tricolor pottery, giving it a flowing sensation."

Born in Xi'an, the ancient capital of China, Tian has developed a deep understanding of the pottery figurines in the royal tombs. She emphasized: "I always feel like they are alive, capable of communicating with us. I hope to incorporate these elements into my artworks as well." 

Challenging norms, questioning established narratives and redefining the boundaries of art, these young Chinese artists have breathed life onto the canvas through their meticulous brushwork.