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Zhou Yi, playing the role of "huadan" (lively young female character), rehearses in Shaoxing, east China's Zhejiang Province, January 15, 2025. Chen Hongyu/CGTN
Zhou Yi, playing the role of "huadan" (lively young female character), rehearses in Shaoxing, east China's Zhejiang Province, January 15, 2025. Chen Hongyu/CGTN
Wu Fenghua, playing "xiaosheng" (young man) in Yue opera, rehearses backstage at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Wu Fenghua, playing "xiaosheng" (young man) in Yue opera, rehearses backstage at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Wu puts on makeup at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Wu puts on makeup at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Wu adjusts her headdress at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Wu adjusts her headdress at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Wu rehearses backstage at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Wu rehearses backstage at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Wu plays the role of Liang Shanbo in "Butterfly Lovers," an iconic Chinese folktale, at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Wu plays the role of Liang Shanbo in "Butterfly Lovers," an iconic Chinese folktale, at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Wu, Lou Zhouying's teacher, helps adjust Lou's headdress at a theatre in Shaoxing, east China's Zhejiang Province, January 13, 2025. Chen Hongyu/CGTN
Wu, Lou Zhouying's teacher, helps adjust Lou's headdress at a theatre in Shaoxing, east China's Zhejiang Province, January 13, 2025. Chen Hongyu/CGTN
Lou performs on stage as "xiaosheng" (young man) at a theater in Shaoxing, east China's Zhejiang Province, January 13, 2025. Chen Hongyu/CGTN
Lou performs on stage as "xiaosheng" (young man) at a theater in Shaoxing, east China's Zhejiang Province, January 13, 2025. Chen Hongyu/CGTN
Lou performs in Keqiao Ancient Town, Shaoxing, east China's Zhejiang Province, January 13, 2025. Chen Hongyu/CGTN
Lou performs in Keqiao Ancient Town, Shaoxing, east China's Zhejiang Province, January 13, 2025. Chen Hongyu/CGTN
Zhou Yi, playing the role of "huadan" (lively young female character), rehearses in Shaoxing, east China's Zhejiang Province, January 15, 2025. Chen Hongyu/CGTN
Zhou Yi, playing the role of "huadan" (lively young female character), rehearses in Shaoxing, east China's Zhejiang Province, January 15, 2025. Chen Hongyu/CGTN
Wu Fenghua, playing "xiaosheng" (young man) in Yue opera, rehearses backstage at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Wu Fenghua, playing "xiaosheng" (young man) in Yue opera, rehearses backstage at a theater in Shaoxing, east China's Zhejiang Province, January 14, 2025. Chen Hongyu/CGTN
Yue Opera or Shaoxing Opera, one of the five major types of Chinese opera, is recognized as China's national intangible cultural heritage. Born in the late 19th century in Shaoxing City, east China's Zhejiang Province, this lyrical art evolved from local folk ballads into a sophisticated opera. Initially performed by male troupes, it underwent a revolutionary transformation in the 1920s when female artists began dominating the stage. Now, a distinctive feature of Yue Opera is women playing male roles. Yue Opera thrives in Wu language-speaking regions, including Zhejiang, Shanghai and southern Jiangsu, while captivating audiences nationwide and beyond.
The photo collection mainly features Wu Fenghua and students from the Xiaobaihua Yue Opera Art Heritage Center in Keqiao District, Shaoxing City. Wu is famous for playing "xiaosheng," the role of a young man, in stories like "Butterfly Lovers," also known as the Chinese Romeo and Juliet. She is also a two-time recipient of the Plum Blossom Award, one of the highest theatrical awards in China.
The center led by Wu and others is at the forefront of preserving and innovating this art. For example, they adapted Shakespeare's "Macbeth" into "General Ma Long," blending Western drama with Yue Opera style.
The Sending Off the King Boat ritual, also known as Wangchuan or Ong Chun, is rooted in folk traditions centered on the veneration of Wang Ye (also called Ong Yah) – guardian deities believed to patrol on behalf of heaven, dispel plagues and protect coastal communities from disasters.