Calligraphy bridges Chinese and Arabic cultures

In the heart of the heritage district in Sharjah, the United Arab Emirates, a unique sanctuary of script is bridging the gap between the Middle East and China. As an award-winning architectural gem, the Diwani Calligraphy House is a living dialogue between heritage and the avant-garde. The building itself is a canvas, housing about 200 masterpieces that span centuries, from the rigid discipline of classical scripts to the raw energy of modern graffiti. 

Hisham Al Madhloum, the owner of the Divani Calligraphy House, said it showcases three calligraphy styles: classic, old and contemporary.

Sharjah has been engaging in cultural exchange with China through calligraphy.  

In 2025, Sharjah Diwani Calligraphy Museum joined hands with Zhejiang Art Museum to co-organize an exhibition of Chinese and Arab Calligraphy Art in Liangzhu, China.  

At Diwani Calligraphy House in Sharjah, the Chinese connection is tangible. Two pieces stand out: a Chinese scroll depicting "Longma Jingshen," the vigorous spirit of the Dragon-Horse, and an Arabic work executed with the fluid, rhythmic soul of Chinese brushwork.  

"If you want to write something, not only for writing or for beauty, you would like to send some message," said the owner.

Chinese calligraphy emphasizes the rhythm of vitality, but Arabic calligraphy seeks geometrical perfection. While their tools differ, they both strive for ultimate life force in every line.