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At the Jingdezhen Imperial Kiln Institute, restoration is a tactile dialogue between restorer and relic. For the head of the Restoration Department Hao Guojiang, the process demands absolute precision – from invisible bonding to hand-guided polishing that leaves the original glaze perfectly undisturbed. "We are merely passengers in a relic's long life," Hao notes, where his hands serve as both diagnostic tool and bridge across centuries. By treating each artifact as a patient, he meticulously preserves the firing techniques, decorative artistry, and cultural narratives embedded within, ensuring that the legacy of Chinese ceramic history endures through his work.
At the Jingdezhen Imperial Kiln Institute, restoration is a tactile dialogue between restorer and relic. For the head of the Restoration Department Hao Guojiang, the process demands absolute precision – from invisible bonding to hand-guided polishing that leaves the original glaze perfectly undisturbed. "We are merely passengers in a relic's long life," Hao notes, where his hands serve as both diagnostic tool and bridge across centuries. By treating each artifact as a patient, he meticulously preserves the firing techniques, decorative artistry, and cultural narratives embedded within, ensuring that the legacy of Chinese ceramic history endures through his work.