Fashion powerhouse Dior brushed aside the whims of the Instagram generation with
its deliberately low-key new haute couture collection Monday, arguing that the
world's most expensive clothes don't need to shout about it.
Designer Maria
Grazia Chiuri said she wanted the French label's latest prestige range to
glorify classic craftsmanship rather than the flashy designs that rack up
"likes" on social media.
"It's hidden luxury," the Italian explained as the
collection of dreamy ballgowns and neat, 1940s-inspired tailoring went on show
before the global fashion elite in Paris. "The audience that buys couture is not
an audience that spends its time on Instagram," she told AFP. "The audience for
couture knows what couture means – it's a piece that's made specially for you,
just for your body, that it needs time."
Models present creations by designer Maria Grazia Chiuri as part of her Haute Couture Fall-Winter 2018/2019 fashion show for fashion house Dior in Paris, France. /VCG Photo
Models present creations by designer Maria Grazia Chiuri as part of her Haute Couture Fall-Winter 2018/2019 fashion show for fashion house Dior in Paris, France. /VCG Photo
Chiuri went back to basics for
autumn/winter 2018-19, kicking off with a muted palette of nudes, navies and
dusty pinks which eventually warmed into tangerine, leaf green and colorful
embroidery. Many of the models wore demure berets or the kind of timeless,
full-skirted gowns that wouldn't go amiss at the stiffest of high society balls,
but Chiuri was also not afraid to let the odd nipple peek through.
After taking
a strong feminist stance in her recent work, she also threw a few sharp gold
power-suits among a wealth of feminine touches such as dainty embroidered
flowers. Some of the gowns required 800 hours of work – a hallmark of haute
couture, reflected in price tags that can soar into the tens of thousands – and
Chiuri said her discerning customers didn't need to be ostentatious.
"Sometimes
people believe that couture is something that shows off, that if it's expensive,
that has to be visible," Chiuri said. "No, that's not couture."
Italian fashion designer Maria Grazia Chiuri for Christian Dior acknowledges the audience at the end of the 2018-2019 Fall/Winter Haute Couture collection fashion show by Christian Dior in Paris, on July 2. /VCG Photo
Italian fashion designer Maria Grazia Chiuri for Christian Dior acknowledges the audience at the end of the 2018-2019 Fall/Winter Haute Couture collection fashion show by Christian Dior in Paris, on July 2. /VCG Photo
Birdsong and
flamingo feathers
Only 14 fashion houses boast the "haute couture" label,
which is accorded under strict criteria by the French government to reflect the
craft that goes into these hand-sewn, custom-made garments. Chiuri said she
wanted her new range for the 0.0001 percent to pay tribute to the "atelier," the
designer's workshop where the magic happens.
That much was clear from the
backdrop of white-clad designer's mannequins at Paris's Rodin museum, where
Hollywood actress Katie Holmes and Victoria's Secret model Karlie Kloss were
among the audience.
If Dior stuck to tradition then Iris van Herpen took the
opposite approach on day two of haute couture week, unveiling a collection true
to her credentials as one of the most boundary-pushing designers out there. The
Dutch futurist said she was inspired by "the current scientific shift in which
biology converges with technology," showing off dresses whose patterns mimicked
the soundwaves produced by birdsong.
A model present a creation by designer Maria Grazia Chiuri as part of her Haute Couture Fall-Winter 2018/2019 fashion show for fashion house Dior in Paris, France. /VCG Photo
A model present a creation by designer Maria Grazia Chiuri as part of her Haute Couture Fall-Winter 2018/2019 fashion show for fashion house Dior in Paris, France. /VCG Photo
Some of her designs would not have looked
out of place in the Star Wars cantina, including a black wire bodice that sat
over the model's body like a cage, and a dress made of innumerable grey pleats
that blossomed into a headdress.
Schiaparelli, meanwhile, took on a playful
animal theme, with designer Bertrand Guyon mixing zebra and leopard prints with
the label's trademark shocking pink and decking out models in bunny-ears and
feathered flamingo headdresses.
Source(s): AFP